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It also shows the opposition and conflict between the popular and orthodoxy views of drama, and it is therefore very helpful for us to further investigate the internal constitution of drama in these dynasties.
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“戏养神”作为金代北方民间的戏曲观念,既反映了当时杂剧、院本的流行对民间百姓思想观念的深刻影响和深厚的群众基础,也表明了民间戏曲观与正统观念的对立和冲突,从而促使我们进一步思考戏曲形成的内在动因。
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