As a matter of fact, just by the side of the grey-tune tomb figure, a small life-painting of scenery-painting of nature of the painter hung on the wall has another sort of vision and that is the lyric scenery of academism we can usually see.

• 其实就在灰调子俑造型的旁边，墙上挂的画家的小幅风景写生却是另一番景象，那是我们通常能看到的学院化抒情风景，他有这个能力，但一旦进入创作表达，王东春却满腔热忱一根筋地进入“泥瓦匠状态”。