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It was adopted as interlude music for operas, and then was re-arranged by the dizi artist Feng Zicun, who imbued it with a robust and ardent character.
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在戏曲中用作过场音乐,笛子演奏家冯子存将其整理加工,赋予乐曲粗犷豪爽、热情奔放的个性,
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