For most graphic designers in Taiwan, the use of Western typography still focuses on their visual style, but ignored their cultural background and esthetic concept.

• 本文主要内容除了论述相关的文献和教学概况，同时也阐述部份艺术史的理论观点来辩证西方字体发展之研究方向；并针对文化、史与字体理念的交互关系，来思索西方字体教学上的应用。