摘要从比较学角度，通过对两种不同音乐流派的整合、比较和分析，建立起对印象主义音乐进行再认识的理论视角，以达到对其艺术风格及其创作特徵深入了解和把握的目的。

• Abstract: This paper starts with a comparative study of several schools of arts that correspond diachronically and synchronically to the French Impressionist school of music, and then presents a new perspective that will facilitate further study of this epoch-making school of music with respect to its artistic style and creativity.